Sunday, October 23, 2011
"Weaving Form and Surface" at the Cohen Center
To make an appointment to view “Weaving Form and Surface” please contact Kevin Jacobs at email@example.com.
To accompany this post we've included Andrea's artists statement from the faculty website. Enjoy!
My personal vision as an artist has focused on a format that is admittedly ancient: I am passionate about pottery form as a site for personal expression. I have no excuse for this arcane practice. I have little interest in the functional debate, although I recently allowed a florist to fill a vase with an outrageous arrangement. I choose to make vases and bowls because those forms allow the most open interpretation of shape without losing the iconic identity of the object. The scale of the vases, from two to six feet, gives me room to explore color, shape and pattern. The bowls provide a more intimate space where I have been exploring narrative ideas, recently involving mythology.
My devotion to surface patterning has also proven to be an addiction that satisfies my love of stylized image and my firmly positive response to the word DECORATIVE. In the motifs of my overlaid figure/ground surfaces, I suspect I am often exploring my subconscious. The sources for the motifs range from my garden to doodles to texts of historical ornament, such as Owen Jones' Grammar of Ornament.
Ceramics is the ideal media to combine surface color and three-dimensional form. There is the affirmation of historic precedence of the painted pot, and the possibilities of current clay and glaze technology to support my vision.